
The editing process for doing our preliminary task was very simple and short. We literally put a shot first, and then we cut it directly into another shot. We didn’t even use titles. But we did have to dub over our final cut, because no sound was recorded on the day, due to no fault of ours, which was more advanced than all the other groups. In our finished product, we used animated titles, fades and various sound effects as well as the sound we recorded on the day. Our sequences involve sequences of short cuts leading up to a specific moment, where the tension is imminently cut away, at the same time building more suspense. We are trying to create a mood of tension and suspense, which is reminiscient of the style of the slasher genre.

The ambient sound from our shoot day wasn't really that important in the end as I ended up adding a soundtrack that the audience couldn't hear (non-diegetic), this consisted of drones and various tones, but something else that was integral was how I used sound FX to double up sounds to make sound like real objects, these sounds were however diegetic as the whole point was that the sounds were created by the misdoings of the protagonist. If we ended up shooting the whole film, we would need a dark and ominous score that reflected the style of the film we were trying to do. After all we are trying to build the suspense up to these crucial breaking points we're the tension is cut and the audience are left without a leg to stand on.

We placed the titles of our thriller at the start, as not the change the tension during the build up to the climax of the opening sequence, fast sequences can't have slow titles, so we decided that it would be best if our product only displayed titles at the start.
All of our choices have been chosen to appeal to our audience. The whole point of our thriller is draw in thrill seekers, so hopefully we have rewarded with our opening sequence, the sound and editing reflects our target audience directly as it is for horror junkies, and we edited the sound and edited the whole sequence with this in mind. We want this to appeal to the fans of Saw and Hostel, therefore with having a series of close-ups, POV shots and keeping it in a claustrophobic setting we were able to mkaintain the tension and drama which are a prerequisite for the horror genre.

This shot challenges conventions of real media, because unlike the majority of slasher films, the film doesn't open with teenagers having sex, or another teenager babysitting. We are slightly dependant on gore and latex make up, but, unlike most horror flicks, we never actually show a victim being tortured, we merely build the tension to make the audience believe that this is going to happen.
One of the largest factors behind our thriller, unlike films in it's genre, is that we try to lead the audience to false assumptions. For instance in the above shot, we lead the audience to believe that our thriller is going to centre around what is outside the window. We use my soundtrack and some sound FX from soundtrack pro to create this illusion. (The noise idea was from The Blair Witch Project).
We challenge the conventions of real media by building tension that isn't heavily relient on a central antagonist. In this shot, we used an exploding lightbulb (the lightbulb doesn't really explode, we created this effect by inserting sound FX and editing the white balance and exposure on shot) to create the tension. Most slasher films revolve around a central antagonist (i.e. Jigsaw from Saw, Freddy Kruger from The Nightmare on Elm Street franchise, Jason Voorhees from the Friday the Thirteenth franchise and Michael Myers from the Halloween franchise.)
We used this shot, because the room isn't lit, the only light source is from an old torch and this forces the audience to focus on the victims face, and this makes the audience feel sympathy for the victim, because we see a look of anxiety and confusion on his face. We conform to other media products that are already successful in this scene by borrowing from The Blair Witch Project and Kill Bill Vol. 2 which use darkness and sound to create tension.
Here we conform with current media conventions witht he over use of gore. This shot merely sets the scene for a room full dead bodies. Many films are overly reliant on this feature (i.e. Saw). We challenge current media by not being overly reliant on this. But we do mix in a bit of gore to create this tension.
This title challenges most media conventions because it isn't overlayed on top of real-time shots. It is merely overlayed on blackness. The title, like the first titles convey a sense of mystery, and seeing as this is the final shot of the opening sequence, it begs the question to the audience as to what happens after the titles.
