Friday, 11 December 2009

Treatment

This idea has changed so much since our original synopsis, this is the plot we will be sticking to as it leaves room for a cliffhanger.

ACT I
·In the first sequence we are introduced to our tragic protagonist, Deacon, he is distressed, he finds himself in a delirious state on a medical bed, inside a dimly lit room, barely alive and heavily drugged. The only light he can see is coming from a nearby furnace. He decides to get up. He stumbles, drunk by fatigue, into a table. This is where he bumps accidently into a light chord hanging on a metal chain. He pulls the chain, and the light hurts his eyes. For the brief second he can see, before the lights flash out, he sees blood and scratches on the walls. He panics and starts to breathe heavily. He stumbles around, and finds his way into the next room. Here the floor is wet. He bumps into another table. On this table he finds an old torch, which is barely working. He shines it briefly on what appears to be a corpse. He approaches the body, and gets close to the body’s face. Suddenly the bodies’ eyes flash open. We realise that there are more than one body in the room, then all the bodies’ in the room try to scream although, they do have their mouths stitched closed. Suddenly he is hit on the back of the head, and he lapses into unconsciousness.
ACT II
·He awakens in the same state as before, on a bed, in a different room. Now he finds himself hooked up to all sorts of aged medical equipment. He attempts to pulls one of the needles out of his arm. Suddenly a deep, evil and ominous voice comes from somewhere in the room: that says “Baaaad idea”. Deacon is increasingly stressed, again he begins to breathe heavily, he is wild eyed and sweating. He tries to scream: “MMmmmmmm!!” but is unable to and discovers that his mouth is stitched together also. Some of the stitches rip open and Deacon exclaims “Who Are You?!” To which he gets no apparent answer. Although he doesn’t want to, he pulls several needles out of his arm. Blood begins to pour out of his veins. And he lapses into unconsciousness once more, and as his eyes begin to close, a looming figure walk awkwardly towards his bedside.
Act III
·The sequence opens with Deacon awakening, he is alive, barely. He is on a chair, but he is not attached to any sort of equipment, although he has a large gash in the side of his head. He is in a windowless, door less room. The only furniture inside is an antique wooden dining chair and an antique lamp. He surveys the room; he sees something written in one corner of the room. He stumbles over there, on his hands and knees. This message read: “Her blood will tell the way” and then some arrows pointing to back to where he was sitting. Behind his chair, he sees the feint outline of a dead body. He sees a wedding ring, and note clutched in its hand. He crawls over to the body. In his stupor, he grabs the note out of the hand. On the note it read “Love is boundless, get out whilst you can”, he then saw that the ring on the body was that of his wife. He screams and begins sobbing violently. He then sees his wives face and closes her eyes with his hands. He shifts his wife’s wait and underneath her there is another note that reads, “Adultery is a sin. The path of redemption begins here” he then grabs the lamp and repeatedly hits his wife’s face. Blood begins to come out of her head. It falls on the floor and lights come up in the whole room, revealing a trap door in the corner. He runs up to it and opens it. He runs frantically through a tunnel and breaks open the door at the end. He falls through. As he looks up he is greeted by the moonlight. He is now at a roadside. On the sign, in blood, it reads, “Take the hard way out” with an arrow pointing downwards. Underneath it lays a shotgun. He stumbles over there, still hysteric. He picks it up and sees that it has one round in it. He cocks it. The screen goes black, and all we hear is a gunshot.

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