Our time line is slightly different, as the song we are using, “We are from Venice” by The Bloody Beetroots, features no lyrics. So naturally this makes the timings of the video all the more important. Time line is all about the time and it is all about the time the shot spends on the music, and whether or not we aim to conform and cut on the beat.
We have linked various aspects of our time line to various aspects of the song, there is a part of our song that involves what sounds a little like a car starting up, and we have mirrored this and stuck with our theme of urban decay by depicting a car on fire. This will start out being a close up on the car and as we cut to a DJ handclap it will move closer as we cut back in to the car at perhaps a different angle.
We aim to use balletic editing in our sequence, because it reflects the disorientated angle that we are going for. Another example would be the final shot of our piece which will depict the two gangs of our video facing each other and ultimately realizing they are one in the same. This shot will be a long fade out, because it reflects the music, as the song ends on a long fade out. This is a building brick for will be our storyboards.
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